Labyrinth at EPOCH
Contemporary Art Review Los Angeles
September 16, 2020, by Catherine Wagley
Amid Tensions, Dialogue for Change and Reform
Ridley.Thomas.lacounty.gov
2020, by Mark Ridley-Thomas
The Best of Walker Reader 2018
Walkerart.org/magazine
January 4, 2019, by Paul Schmeltzer
The Art of Direct Action: Social Sculpture and Beyond
Sternberg Press
Spring 2019, by Cara Jordan
Performance Scores and Instructions for the Midterm Elections
Hyperallergic
October 31, 2018, by Matt Stromberg
Canadian Conceptual Art Pioneer Remembers All the Names He Has Known
Vancouver Sun, British Columbia
October 29, 2018, by Kevin Griffin
Peacebuilding Through an Artist’s Perspective
Mediators Beyond Borders International
2018, by Dyvia Sugand
The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Archangelo
MOMUS
April 20, 2017, by Hyunjee Nicole Kim
Praxis Interview Magazine
WYBC Yale Radio
June 30, 2017, by Brainard Carey
You May Add or Subtract From the Work
ARTFORUM, Critics Picks
April 2017, by Travis Deihl
32 Artists Consider the Privileges and Burdens of American Citizenship
Hyperallergic
January 5, 2017, by Hyunjee Nicole Kim
Partner Post-Kulture Klub Collaborative
Youthlink MN/Kulture Klub Collaborative
October 20, 2016, by Crystal Brinkman
Day of Dialogue, Community Policing
LA Sentinal
August 3, 2016, by Charlene Muhammad
Understanding Conflict Through Art
Neon Tommy, USC: Annenberg Digital News
November 11, 2014, by Judy Cai
The Very Eye of the Night at Jancar Gallery
Culture Monster, Los Angeles Times
July 3, 2012, by Holly Myers
‘Rethinking Borders’: Urging both sides to an understanding
Los Angeles Times
November 7, 2011, by Reed Johnson
Supernatural at Jancar Gallery
Culture Monster, Los Angeles Times
August 20, 2010, by Christopher Knight
Dorit Cypis and Hildegard Duane at Jancar Gallery
Artweek
August 2009, by Clayton Cambell
The Region of Unlikeness
X-Tra
Spring 2008, by Matias Viegener
New ways to see, as with ‘Galileo’
Los Angeles Times
October 10, 2008, by Sharon Mizota
COLA 07
Department of Cultural Affairs
Individual Artist Fellowships, Los Angeles, CA
2007
Public Image Ltd.
Artforum
September 2006, by David Joselit
Radical Gestures: Feminism and Performance Art
in North America
McGill-Queen’s University Press (from catalogue)
2006 by Jayne Werk
Parallel Visions
Mandarin Gallery (from Catalogue)
2005, by Denise Spampinato
Reframing Feminine Identity
Los Angeles Times
September 24 2003, by Christopher Knight
Angel of Histories
Sweeny Art Gallery, Univeristy of California, Riverside, CA
2000, by Vince Leo
Intersubject- and Intersubject-ivity in Dorit Cypis’s
Angel of Histories
2000, by Amelia Jones
Memorable Histories and Historic Memories
Bowdoin College Museum of Art, Brunswick, ME
(from catalogue)
1998, by Allison Ferris
Being In Pictures
Hour
October 22, 1998, by Marcus Miller
Fragments of human anatomy featured in show at Weisman
Star Tribune
July 26, 1996, by Mary Abbe
Dorit Cypis at Krannert Art Museum
New Art Examiner
January 1995, by K.M. Randolph
Haunting, powerful photographs at the Gardner Museum
The Boston Globe, Boston, MA
September 9 1993, by Stan Grossfield
The Naked Truth
St. Paul Pioneer Press, St. Paul, MN
October 1992, by Diana Helleckson
Projected Identities
Art in America (cover illustration)
November 1991, by David Joselit
The Body & The Bank: Pushing the Boundaries of Patronage
Art Papers
March-April 1991, by Nathan Braulick
Fleeting Phantoms (‘The Projected Image’)
Artweek
March 28 1991, by Tony Reveau
Dorit Cypis: X-Rayed, (altered)
Anderson Gallery, Virginia Commonwealth Univeristy, Richmond VA
1990, by Eleanor Heartney
Interview with Dorit Cypis
Artpaper
March 1990, by Vince Leo
Art and Politics: Beyond Mourning
Art in America
April 1990, by Calvin Reid
Art in the 90’s: A mixed prognosis
New Art Examiner
May 1990, by Elenor Heartney
The Body in Question
Aperature
1990, by Mary-Charlotte Domandi
The Naked Nude
International Center of Photography, New York
1989, by Willis Hartshorn
The New American Filmaker Series: Exhibitions of Independent Film and Video
Whitney Museum of American Art
January 1988
Sexual Difference: Both Sides of the Camera
Wallach Art Gallery, Columbia University, New York
1988, by Abigail Solomon-Godeau
Utopia Post Utopia:
Configuration of Nature and Culture
in Recent Sculpture and Photography
The Institute of Contemporary Art, Boston (from Catalogue)
1988, by Elisabeth Sussman, David Joselit
Eluding Definition
Artforum
December 1984, by Kate Linker
Courage
Real Life Magazine
Fall 1983, by Kathi Norklun