Featured.
PROJECT
PeoplesLab, 2024
PeoplesLab offers procedural, pragmatic and sensorial tools for change:
meeting conflict with an adaptive process to revive trust between people; guiding recognition and understanding of differing perspectives; illuminating ways in which we may be caught in old structures, beliefs and habits; teaching communication and negotiation skills to bridge differences, and generate creative options for effective collaboration. In our era of severe cultural tension and change our collective future depends on our asking, “Who are we to one another”, and on choosing to align in mutual support to meet each other with new creative responses.
Date :20 May 2021
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PUBLICATION
Where Art Might Happen: The Early Years of CalArts, 2021
Philipp Kaiser, Christina Vegh,
Kestner Gesellschaft, Hanover, Germany
The publication Where Art Might Happen: The Early Years of CalArts, accompanies the exhibition of the same name presented at the Kestner Gesellschaft during 2019. The structure of this publication is astutely highlighted by the chapters Where Art Might Happen, an overview of the exhibition including 42 artists, as well as essays + oral histories in the following chapters Institutional History, Fluxus, Feminist Art Program and Conceptualisms.
Kestner Gesellschaft, Hanover, Germany
The publication Where Art Might Happen: The Early Years of CalArts, accompanies the exhibition of the same name presented at the Kestner Gesellschaft during 2019. The structure of this publication is astutely highlighted by the chapters Where Art Might Happen, an overview of the exhibition including 42 artists, as well as essays + oral histories in the following chapters Institutional History, Fluxus, Feminist Art Program and Conceptualisms.
Date :19 May 2021
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PROJECT
The Sighted See the Surface, 2020
LM Projects is pleased to announce its latest publication, The Sighted See the Surface, by artist Dorit Cypis
The Sighted See the Surface is an expansive project developed by Dorit Cypis over the course of seven years (2012-19). Sparked by the death of mentor and teacher Michael Asher, Cypis excavates her 40 year art practice by connecting disparate points from past to present while unearthing the complexities between sight and seeing, difference and the psychosocial relations within and between people. Works made during this period include video, photography, prints and drawings.
The Sighted See the Surface is an expansive project developed by Dorit Cypis over the course of seven years (2012-19). Sparked by the death of mentor and teacher Michael Asher, Cypis excavates her 40 year art practice by connecting disparate points from past to present while unearthing the complexities between sight and seeing, difference and the psychosocial relations within and between people. Works made during this period include video, photography, prints and drawings.
Date :12 Sep 2020
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PROJECT
Friendly Fire, Epoch Virtual, 2020
EPOCH Gallery | September 5 – October 23
Friendly Fire – Epoch Virtual explores how our internal landscapes may reveal traumas of social histories – trapping us into reactive behavior. Histories are embodied and refracted by us even as we may hold elevated social principals and values. How may we be wearing the ancient warrior coliseum as a collar around our necks? In the age of Covid-19 everything has shifted under and around us. It’s a new world order yet held by broken old world structures. How will we assess conditions with new eyes, ears, minds and bodies to weave our ways towards developing generative models for who we want to be to
one another?
Date :12 Sep 2020
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PROJECT
The Color of Whiteness
Field Workshop: Action Projects, 2020
ICA Los Angeles | August 30, 2020
The Color of Whiteness was performed Sunday, August 30, in-person and over Zoom, by invitation-only and on site at ICA-LA. This event was created by Cypis and 7 previous participants of PeoplesLab: Identity, Race, Whiteness + Antiracism, a research/training/dialogue program Cypis developed in June 2020 following the tragic murder of George Floyd.
Date :30 Aug 2020
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PROJECT
Come Closer, 2019
Come Closer is a triptych of prints intended to be challenging to read. The work asks the reader to take time, to focus carefully in following a flashlight beam across words that appear and disappear in shadow.
Date :03 Dec 2019
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PROJECT
XI OPEN CITY Festival of Art in Public Space, Lublin, Poland
Showcasing contemporary art in urban space as an integral part of everyday urban reality. Hospitality versus Hostility in Lublin’s History and Contemporary Global Cultures
September 13 – October 12, 2019
Welcome the Stranger is created for the Open City Festival, Lublin, Poland, an ancient city with complex political and cultural histories. Welcome the Stranger is an urban installation, performance and social engagement project that reflects principles of sharing sustenance across all human need. Dorit Cypis and Louise Steinman are two artists, a visual artist and a writer, living in Los Angeles, USA, both with family roots in Poland’s Jewish community.
opencity.pl
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opencity.pl
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Date :04 Oct 2019
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PROJECT
The Sighted See the Surface (Studio), 2019
The Sighted See the Surface, which began as a tribute to artist Michael Asher whose practice shed light on power and consciousness, documents a mapping process of projected light across 11 photographs installed on a wall at the artist’s studio. The photographs perform as portals into events taking place between 1973 - 1977 and 2012 - 2016. Cypis’ process borrows from crime detective tropes connecting unlikely suspects, locations, intentions and expectations to chart a prism of possibilities between sight and blindness, intimacy and violence, conceptual art and community dialogue. The Sighted... deepens Cypis’ investigation into aesthetics, ethics, identity and human relations, the roots of her practice since the late 1970s.
Date :29 Aug 2019
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PUBLICATION
The Art of Direct Action: Social Sculpture and Beyond, 2019
Karen van den Berg, Cara M. Jordan, Philipp Kleinmichel (Eds.)
Texts by Karen van den Berg, Mary Jane Jacob, Cara M. Jordan, Grant Kester, Philipp Kleinmichel, Kuda Production, Daniel Joseph Martinez, Marina Naprushkina, Dan Peterman, Rainer Rappmann, Pedro Reyes, John Roberts, Gregory Sholette, Caroline Tisdall, Anton Vidokle, Caroline Woolard
One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action.
Texts by Karen van den Berg, Mary Jane Jacob, Cara M. Jordan, Grant Kester, Philipp Kleinmichel, Kuda Production, Daniel Joseph Martinez, Marina Naprushkina, Dan Peterman, Rainer Rappmann, Pedro Reyes, John Roberts, Gregory Sholette, Caroline Tisdall, Anton Vidokle, Caroline Woolard
One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action.
Date :15 Aug 2019
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PROJECT
Close Your Eyes If You Want to See
Santa Monica Prefecture | April 1 – July 6, 2019
Santa Monica Prefecture is pleased to present a new work by artist Dorit Cypis, Close Your Eyes If You Want to See, a social sculpture exploring relationships between psychological, physical and social aspects of identity and social relations. Clear, fearless, and piercing, Dorit’s work emphasizes critical social engagement, never falling into reaction, or outrage.
Date :16 Jul 2019
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PROJECT
One Another: Identity, Difference + Conflict
NAVEL | April 17, 2019
Dorit Cypis presents a ten-act interactive presentation on identity, difference and conflict – key themes in the upcoming collaborative research project, One Another. Here, interested audience members will be invited to apply to participate in the seven month process, where, if selected, they will progress through several rounds of rigorous collective inquiry and self-examination.
Date :11 Apr 2019
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PUBLICATION
Art Reminds Us: We Are Implicated in Each Other’s Lives, 2018
One of the things recent events at the Mexico/US border have shown us is the power of documentation: audio, video, and photos that indelibly show the human impact of the Trump administration’s “zero tolerance” immigration policy. While the viral response to news of separated families and children held in “tender age facilities” underscores the power of such practices, it also raises questions for those of us in the art world: What can art do that journalism can’t? If documentation can stop us in our tracks, is it art’s job to help us move beyond that, to process what we encounter in the media? Four artists weigh in: Natalia Almada, Jackie Amézquita, Dorit Cypis, and Ifrah Mansour.
Date :18 Aug 2018
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PROJECT
The Future of Policing, 2015 – 2018 ongoing
Presented by Days of Dialogue, Institute for Non Violence Los Angeles, across Communities of Los Angeles City and County,
Dorit Cypis is assisting The Future of Policing as a Dialogue Facilitator. Days of Dialogue is a nonpartisan organization whose mission is to be a catalyst in the community problem solving process by creating dialogue on sensitive social issues among diverse community groups.
Date :10 Jan 2018
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PROJECT
To the Population, 2016
A safety vest protects the human chest and warns of danger. This vest is stuffed with “campaign” buttons asking questions of psycho-physical dimension. We pass people in need on the streets every day. What do we know of one another? How can we connect beyond our fear, towards empathy and reciprocity?
Date :10 Jan 2018
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PUBLICATION
The Space of Conflict: Aesthetic Lessons for Mediators, 2016
Published in Handbook in Mediation, editor Alexia Georgakopoulos, Routledge Press, 2017
The Space of Conflict: Aesthetic Lessons for Mediators frames lessons on recognizing the knots of chronic conflict through considering the spatial nuances of human identity and social relations. As an artist and mediator I use the double lens of aesthetics and mediation to explore identity as psychic spaces within bodies and politicized spaces surrounding bodies that mirror, inform and extend each other. If we miss this reflexive relationship between internal and external spaces, we miss a large part of the story of human identity differences and what fuels conflict between and within people. My artist practice has always explored identity and social relations through aesthetic genres of performance, photography and social sculpture. I became a mediator to extend out from the...
Date :14 Apr 2017
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PROJECT
Whose Bare Life (braille), 2015
Series of 18 prints, each uniquePhotographs with visual braille in Silkscreen.
Date :15 Jan 2016
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PUBLICATION
A Brave New World (remix), 2011
Ghostly reflections of Hieronymus Bosch...Dante’s Inferno...Dawn of the Dead... interchangeably drifted through my mind when I first entered the tent city of Occupy Los Angeles, late October, 2011. The terrain of people was bare, raw, gritty, and utterly public. I’m an artist and a mediator. I chose to show up on site frequently over the next month offering engagement and conflict transformation skills to support their capacity to perform expressions of public outcry at our culture’s out of control social inequity. These are my reflections...
Date :07 Dec 2011
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PUBLICATION
Between the Conceptual and the Vibrational, 2003
Dorit Cypis speaking with Simone Forti
Simone Forti today, is the same woman I met many years ago, and so much more. Her work in dance, from the 1950's to today, 2004, spans the aesthetic movements of expressionism and minimalism and has branched much further into a mature hybrid of both, embracing a deep humanism of extraordinary focus to the details of life and death, which surrounds us daily.
Simone Forti today, is the same woman I met many years ago, and so much more. Her work in dance, from the 1950's to today, 2004, spans the aesthetic movements of expressionism and minimalism and has branched much further into a mature hybrid of both, embracing a deep humanism of extraordinary focus to the details of life and death, which surrounds us daily.
Date :21 Mar 2003
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PROJECT
Sightlines, 2006
Sightlines, is an immersive environment where the viewer becomes partner to cross-historical and cross-cultural variables.
Date :08 Jun 2006
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